Georgia on My Mind

 We say it all the time — music is as much about listening as it is about playing — and here, from last night’s weekly Flood affair, is a lovely example of what we’re talking about. Now, midway through the evening, Doug Chaffin quietly picks a few notes from our all-time favorite Hoagy Carmichael song, and within seconds, Vanessa Coffman is right there, weaving in and out of Doug’s opening statement with her own memorable replies. Yeah, we say it all the time: listening to Doug and Veezy’s musical conversations makes you glad you have ears. Come on along and just listen to them listen to each other.

Happy Birthday, Veezy!

 We were so pleased that our newest band mate, Vanessa Coffman, chose last night to spend part of a very big birthday — her 21st — with us. It’s also her first anniversary as a member of The Flood, and, to celebrate, she also brought a special guest. Now, ordinarily in the Floodisphere, Veezy plays “Blue,” her sweet and mellow tenor, but last night it was Blue’s big brother, the bari, that tagged along with her. All evening that the baritone sax, which Veezy named “Viper” (for its reptilian tubing), rocked the walls of the Bowen house just the way they love to be rocked. Listen the magic Veezy and Viper bring to this century-old Blind Blake tune midway through last night’s jam. Happiest birthday, Miss V, from your Family Flood!

Somebody Stole My Gal

 One of our heroes — the great jazz cornetist Bix Beiderbecke — died 90 years ago this summer. His was a short but brilliant time on the planet; he was just 28 when he died, but even before he was gone, he was already a legend, and still today, his music is loved and imitated by players around the world. Some tunes we play always have us thinking of Bix, especially this one, which The Flood started fooling around with, gee, probably 40 years at those crazy, smoky music parties of the 1970s where the band was born. The song was a decade old when Bix and his buddies recorded it in 1928.  A Leo Wood composition, it had already been a million-selling for Ted Weems and his Orchestra in 1924. It would go on the be recorded by everyone from Cab Calloway and Fats Waller to Count Basie and Benny Goodman. Jim Kweskin even made a cool jug band version in the ‘60s.

Harlem Nocturne

Our Vanessa Coffman has grown up in a very musical family. Her mom, Julianne, is a singer and today teaches music in the Cabell County schools. Her dad, Gary, also an educator, played sax in Marshall University jazz bands back in the ‘90s. So it’s not surprising that both her young siblings also play assorted instruments and sing. Veezy’s memories of childhood are filled with the sounds of her dad playing some of our greatest jazz standards of all times — “‘Round Midnight,” “Take Five,” “Georgia on My Mind” — and when at about 7 she wanted to be a sax player like her dad, it was Gary who taught her those first notes. The two of them still regularly jam together; some of our favorite new pictures in the Flood album are of the Coffmans playing duets, at home and even on the beach last summer. Well, today is Gary Coffman’s birthday, so here’s a little surprise from his Flood family: His favorite saxophonist playing his favorite tune. From a recent Flood gathering, this is Earle Hagen’s classic “Harlem Nocturne.” Aw, tell it, Veezy!

Abilene

 Singer/songwrirer Bob Gibson was a very early arrival on the folk music scene in the late 1950s. In fact, Bob was already so well established by the time of the 1959 Newport Folk Festival that it was he who introduced the crowd to a then-unknown Joan Baez. His songs were recorded by everybody from Peter, Paul and Mary and Simon & Garfunkel to the Byrds and Bob Dylan. Perhaps Gibson’s best-known song is “Abilene,” which he wrote with Lester Brown and John D. Loudermilk in the early 1960s. Bob always said he was inspired to write the song after watching cowboy star Randolph Scott’s film “Abilene Town,” which was set in Abilene, Kansas, the railhead town at the end of the Chisholm Trail. The Flood’s been doing some version of this tune for at least a decade now. Here’s the 2021 rendition, with Randy rocking the vocal harmonies, supported by sweet solos from Veezy, Doug and Sam.

Ramblin' Boy

 So much about a good evening of music depends on the chemistry of the people in the room, and last night there were some wonderful people in the room. Our dear old friend, Floodster Emeritus Paul Martin dropped in with his sweet fiancé Gina Raynard. Man, any room that Gina and Paul are in is suddenly brighter. And, of course, when Paul unpacks his mandolin, we’re all ready to trot out the old tunes. Of course, chemistry is also about the elements that are not in the mix; this was our first get-together since last weekend when we learned of the Covid-related death of our mutual friend, the extraordinary banjo picker Rick Harmon. Stories of Rick went around the room, and perhaps the best tune of the night was this one, sung his honor.

Stormy Weather

 There are some nights when the music just can’t wait to get out, when everybody seemed to come to the room in the same groove. Last night was such a night, and I think we all knew it from the first notes of the first tune.